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The Melvin Holmes Collection of African American Art

San Francisco
San Francisco, CA,
202-491-5521

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The Melvin Holmes Collection of African American Art

  • Welcome
  • ABOUT
  • Artists (A-J by Last Name)
  • Artists (K-Z by Last Name)
  • Contact

Sargent Claude Johnson (1888-1967)

*The Holmes Collection of African American Art began with a Sargent Johnson piece (The Cat).  Melvin recalled seeing pieces around town in San Francisco and went into a local gallery to inquire about how to purchase one of his works.  The gallery owner said that Johnsons were so rare he may as well be looking for a Picasso.  There are currently over 25 pieces by Sargent Johnson in the collection.  

 

Sargent Claude Johnson (October 7, 1888 – October 10, 1967) was one of the first African-American artists working in California to achieve a national reputation.[1] He was known for Abstract Figurative and Early Modern styles. He was a painter, potter, ceramicist, printmaker, graphic artist, sculptor, and carver. He worked with a variety of media, including ceramics, clay, oil, stone, terra-cotta, watercolor, and wood.[2] He was in the Communist Party for most of his life.[1]

Sargent Johnson was the third of six children, born to a father of Swedish descent and mother of African-American and Cherokee ancestry. His father died in 1892, leaving the kids to be raised by their mother. In 1902, when his mother died, the boys of the family were sent to an orphanage in Worcester, Massachusetts and the girls to a Catholic school for African American and Native American girls in Pennsylvania. At a young age, Sargent and his siblings went to live with their uncle, Sherman Jackson Williams, and his wife, May Howard Jackson. May was a famous sculptor specializing in Negro themes, and she undoubtedly influenced Sargent Johnson at an early age. Some of his siblings did not identify themselves as African American, and chose to live as either Native Americans or Caucasians, though Sargent identified as African American.

Sargent Johnson began showing his work with the Harmon Foundation of New York in 1926. Through the foundation, known for its support of African-American art, he exhibited many of his pieces and became locally and then nationally known.[5] There was a total of 87 pieces displayed at the show and a $150 prize for most outstanding work went to Johnson, “showing a porcelain head of a Negro child, Pearl, and two drawings, one of which, Defiant, is massively constructed and as simple in its planes as is so much of the modern Mexican work."[6] He was usually not included in "American art” because of how his pieces ignored traditional western techniques and were inspired by foreign cultures, such as Mexican muralists Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros and others.

In 1928, Johnson's award-winning artwork garnered him fame amongst artists in the Harlem Renaissance movement.

In the late 1930s, Sargent Johnson commissioned his work with the Federal Arts Project (FAP).[1] As a member of the bohemian San Francisco Bay community and influenced by the New Negro Movement, Sargent Johnson's early work focused on racial identity.

Johnson said, “It is the pure American Negro I am concerned with, aiming to show the natural beauty and dignity in that characteristic lip and that characteristic hair, bearing, and manner; and I wish to show that beauty not so much to the white man as to the Negro himself. Unless I can interest my race, I am sunk.”[3] According to Johnson, "Negroes are a colorful race; they call for an art as colorful as they can be made."[7]

Beginning in 1945, and continuing through 1965, Sargent Johnson made a number of trips to Oaxaca and Southern Mexico and started incorporating the people and culture, particularly archeology, into his work. Other subjects included African American figures, animals, and Native Americans.

On February 23, 2010, Swann Galleries auctioned Sargent Claude Johnson’s Untitled (Standing Woman), a painted terra cotta sculpture, c. 1933-35, for $52,800 - an auction record at the time for the artist. In 2009 the University of California, Berkeley unwittingly sold a work by Johnson for $164.63, that was later valued at more than a million dollars. The 22-foot carved redwood relief panel was eventually purchased by the Huntington Library and will be displayed in its new American wing.[8]

Bio courtesy of Wikipedia. Link to full bio: https://en.wikipedia.org/wiki/Sargent_Claude_Johnson

 

      Misery    Terra-cotta  7x5x2 3/4 inches  1940  Photo credit: John Wilson White Studio      

 

Misery

Terra-cotta

7x5x2 3/4 inches

1940

Photo credit: John Wilson White Studio

 

 

   Singing Saints    Tempura on enamel  31 1/2x25 inches  1967  Signed and dated  Photo credit: John Wilson White Studio

Singing Saints

Tempura on enamel

31 1/2x25 inches

1967

Signed and dated

Photo credit: John Wilson White Studio

   Free Love (Sex in the 60's)    Enamel on steel  11x12 1/2 inches  c. 1950  Signed  Photo credit: John Wilson White Studio

Free Love (Sex in the 60's)

Enamel on steel

11x12 1/2 inches

c. 1950

Signed

Photo credit: John Wilson White Studio

johs_1950.012_sc.1.jpg
   Sailing I    Enamel on steel  13 1/2 x 16 1/2 inches  c. 1950  Signed  Photo credit: John Wilson White Studio   

Sailing I

Enamel on steel

13 1/2 x 16 1/2 inches

c. 1950

Signed

Photo credit: John Wilson White Studio

 

   Sailing II    Enamel on steel  11x13 1/2 inches  c. 1950  Signed  Photo credit: John Wilson White Studio

Sailing II

Enamel on steel

11x13 1/2 inches

c. 1950

Signed

Photo credit: John Wilson White Studio

   Untitled (Terracotta Figurine on Triangular Base)    Terracotta  8 3/4x2 3/8x3 inches  Year unknown  Signed  Photo credit: John Wilson White Studio   

Untitled (Terracotta Figurine on Triangular Base)

Terracotta

8 3/4x2 3/8x3 inches

Year unknown

Signed

Photo credit: John Wilson White Studio

 

   Female Egyptian Head    Terra-cotta on wooden base  4x2 1/2x4 inches  Year unknown  Signed  Photo credit: John Wilson White Studio   

Female Egyptian Head

Terra-cotta on wooden base

4x2 1/2x4 inches

Year unknown

Signed

Photo credit: John Wilson White Studio

 

   Teapot    Ceramic  4x2 1/2 x4 inches  1941  Signed  Photo credit: John Wilson White Studio

Teapot

Ceramic

4x2 1/2 x4 inches

1941

Signed

Photo credit: John Wilson White Studio

   Teacups    Ceramic  2 1/2x4 1/4x2 1/2 inches (each)  1941  Signed and dated  Photo credit: John Wilson White Studio   

Teacups

Ceramic

2 1/2x4 1/4x2 1/2 inches (each)

1941

Signed and dated

Photo credit: John Wilson White Studio

 

   The Cat    Terra-cotta  5 3/4X16 X4 1/2  1945  Photo credit: John Wilson White Studio

The Cat

Terra-cotta

5 3/4X16 X4 1/2

1945

Photo credit: John Wilson White Studio

   Girl with Braids    Bronze  12 x 7/8 x 4 x 2 inches  1945  Signed  Photo credit: John Wilson White Studio

Girl with Braids

Bronze

12 x 7/8 x 4 x 2 inches

1945

Signed

Photo credit: John Wilson White Studio

   The Lovers    Terra-cotta  5 1/4 x 6 3/8 x 2 1/2 inches  1945  Photo credit: John Wilson White Studio

The Lovers

Terra-cotta

5 1/4 x 6 3/8 x 2 1/2 inches

1945

Photo credit: John Wilson White Studio

   Breakfast    Oil on board  16x11 1/2 inches  1945  Letter of authenticity is attached to the back  Photo credit: John Wilson White Studio

Breakfast

Oil on board

16x11 1/2 inches

1945

Letter of authenticity is attached to the back

Photo credit: John Wilson White Studio

   Seduction        Enamel on steel  11 1/2 x 13 1/2 inches  1950  Signed  Photo credit: John Wilson White Studio      

Seduction

Enamel on steel

11 1/2 x 13 1/2 inches

1950

Signed

Photo credit: John Wilson White Studio

 

 

   Rock Sculpture    Stone  8 1/4 x 9 x 6 inches  1955  Photo credit: John Wilson Whites Studio   

Rock Sculpture

Stone

8 1/4 x 9 x 6 inches

1955

Photo credit: John Wilson Whites Studio

 

   Jesus Raising Lazarus from the Dead    Terra cotta bass relief  4 1/2 x 4 1/4 x 2 inches  1963  Inscribed: "The Paul and Irma Desch from Sargent Johnson 1963"  Photo credit: John Wilson White Studio      

Jesus Raising Lazarus from the Dead

Terra cotta bass relief

4 1/2 x 4 1/4 x 2 inches

1963

Inscribed: "The Paul and Irma Desch from Sargent Johnson 1963"

Photo credit: John Wilson White Studio

 

 

   Mother and Child    9 1/4 x 3 3/4 x 1 3/8 inches  c. 1950  Signed  Photo credit: John Wilson White Studio   

Mother and Child

9 1/4 x 3 3/4 x 1 3/8 inches

c. 1950

Signed

Photo credit: John Wilson White Studio

 

johs_1950.006_sc.jpg
johs_1950.007_sc.jpg
   Crucifixion    Mixed media assemblage  26x19x1 inches  Year unknown  Photo credit: John Wilson White Studio   

Crucifixion

Mixed media assemblage

26x19x1 inches

Year unknown

Photo credit: John Wilson White Studio

 

   Untitled (Abstract Enamel on Copper)    Enamel on copper  9x12 inches  c. 1950  Signed   Photo credit: John Wilson White Studio   

Untitled (Abstract Enamel on Copper)

Enamel on copper

9x12 inches

c. 1950

Signed 

Photo credit: John Wilson White Studio

 

   Singing Saints    Lithograph  12x9 1/2 inches  1940  Signed and titled   Photo credit: John Wilson White Studio   

Singing Saints

Lithograph

12x9 1/2 inches

1940

Signed and titled 

Photo credit: John Wilson White Studio

 

   Plow Horses by a Grove of Trees    Oil on board  23x17 1/2 inches  c. 1940  Signed   Photo credit: John Wilson White Studio

Plow Horses by a Grove of Trees

Oil on board

23x17 1/2 inches

c. 1940

Signed 

Photo credit: John Wilson White Studio

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