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The Melvin Holmes Collection of African American Art

San Francisco
San Francisco, CA,
202-491-5521

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The Melvin Holmes Collection of African American Art

  • Welcome
  • ABOUT
  • Artists (A-J by Last Name)
  • Artists (K-Z by Last Name)
  • Contact
   Summer Evening    Woodcut on cotton batting  22x22 inches  1974  Signed, dated and inscribed.   Numbered 3/10  Photo credit: John Wilson White Studio

Walter Williams (1920-1998)

Walter Henry Williams was born in Brooklyn, New York, August 11, 1920. He studied art at the Brooklyn Museum Art School under Ben Shahn, Reuben Tam and Gregorio Prestopino under the G.I. Bill. He also spent a summer studying art at the Skowhegan School of Painting and Sculpture in Maine. After graduating Williams won a Whitney fellowship to study in Mexico.

According to the "History of African-American Artists" by Bearden and Henderson, after Williams' four years of living in racially liberal Mexico he "felt the freedom from racial prejudice was essential for his further development." He then returned to the U.S. and began to travel to Denmark in 1959.

 

Williams moved to Copenhagen, Denmark and became a citizen in 1979. He returned briefly to the United States, where he completed a body of work informed by the experiences of being an African American living in the South. It was while he was in Copenhagen, however, that he created a series of colorful woodcuts of black children playing in fields of flowers. Walter Williams died in Copenhagen in June of 1998.

 

Williams was commissioned to do a number of prints for the International Graphic Arts Society (IGAS) in editions of 210. Half these works (100) were sold in the United States and the other half in Europe, 10 proofs were reserved for the artist. This gave Williams an international following that allowed him to continue to work as a printmaker.

Bio courtesy of www.annexgalleries.com. Link to full bio: https://www.annexgalleries.com/artists/biography/2544/Williams/Walter

 

Walter Williams (1920-1998)

Walter Henry Williams was born in Brooklyn, New York, August 11, 1920. He studied art at the Brooklyn Museum Art School under Ben Shahn, Reuben Tam and Gregorio Prestopino under the G.I. Bill. He also spent a summer studying art at the Skowhegan School of Painting and Sculpture in Maine. After graduating Williams won a Whitney fellowship to study in Mexico.

According to the "History of African-American Artists" by Bearden and Henderson, after Williams' four years of living in racially liberal Mexico he "felt the freedom from racial prejudice was essential for his further development." He then returned to the U.S. and began to travel to Denmark in 1959.

 

Williams moved to Copenhagen, Denmark and became a citizen in 1979. He returned briefly to the United States, where he completed a body of work informed by the experiences of being an African American living in the South. It was while he was in Copenhagen, however, that he created a series of colorful woodcuts of black children playing in fields of flowers. Walter Williams died in Copenhagen in June of 1998.

 

Williams was commissioned to do a number of prints for the International Graphic Arts Society (IGAS) in editions of 210. Half these works (100) were sold in the United States and the other half in Europe, 10 proofs were reserved for the artist. This gave Williams an international following that allowed him to continue to work as a printmaker.

Bio courtesy of www.annexgalleries.com. Link to full bio: https://www.annexgalleries.com/artists/biography/2544/Williams/Walter

 

   Summer Evening    Woodcut on cotton batting  22x22 inches  1974  Signed, dated and inscribed.   Numbered 3/10  Photo credit: John Wilson White Studio

Summer Evening

Woodcut on cotton batting

22x22 inches

1974

Signed, dated and inscribed. 

Numbered 3/10

Photo credit: John Wilson White Studio

   Summer    Woodcut on cotton batting  17 1/2x17 1/2 inches  1974  Signed, dated , inscribed and numbered 3/10  Photo credit: John Wilson White Studio   

Summer

Woodcut on cotton batting

17 1/2x17 1/2 inches

1974

Signed, dated , inscribed and numbered 3/10

Photo credit: John Wilson White Studio

 

   Summer #2    Woodcut on cotton batting  17 1/2x17 1/2 inches  1974  Signed, dated, inscribed and numbered 3/10  Photo credit: John Wilson White Studio   

Summer #2

Woodcut on cotton batting

17 1/2x17 1/2 inches

1974

Signed, dated, inscribed and numbered 3/10

Photo credit: John Wilson White Studio

 

   Dusk    Oil on board  9 5/8x12 inches  1963  Signed  Photo credit: John Wilson White Studio

Dusk

Oil on board

9 5/8x12 inches

1963

Signed

Photo credit: John Wilson White Studio

   Fighting Cock #3    Woodcut on cotton batting  24x29 inches  Year: 1964  Signed, dated, and numbered 81/200  Photo credit: John Wilson White Studio

Fighting Cock #3

Woodcut on cotton batting

24x29 inches

Year: 1964

Signed, dated, and numbered 81/200

Photo credit: John Wilson White Studio

   Flower Landscape with Sunflowers    Oil on board  12x14 inches  1974  Signed  Photo credit: John Wilson White Studio   

Flower Landscape with Sunflowers

Oil on board

12x14 inches

1974

Signed

Photo credit: John Wilson White Studio

 

   Untitled    Oil on canvas  12x16 inches  Year unknown  Signed  Photo credit: John Wilson White Studio

Untitled

Oil on canvas

12x16 inches

Year unknown

Signed

Photo credit: John Wilson White Studio

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