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The Melvin Holmes Collection of African American Art

San Francisco
San Francisco, CA,
202-491-5521

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The Melvin Holmes Collection of African American Art

  • Welcome
  • ABOUT
  • Artists (A-J by Last Name)
  • Artists (K-Z by Last Name)
  • Contact
   Faces (Clowns)    Oil on board  24x35 inches  1955  Signed  Photo credit: John Wilson White Studio   

William Walker (1927-2011)

William Walker is a notable muralist in Chicago. He was one of the founders of the Organization for Black American Culture (OBAC) and one of the leaders in the project involving the Wall of Respect. He was also one of the critical founders of the mural movements in Chicago during the 1960s.

William Walker was born in Birmingham, Alabama in 1927. Although born in the South, he grew up in Chicago. After serving in World War II and in the Korean War, he studied fine arts at the Columbus Gallery of Art in Chicago (now Columbia College Chicago), and became the first African-American man to win the 47th annual group exhibition award.[1]

After graduating, he went to Memphis where he painted his first murals. A year later in 1955, Walker returned to Chicago and worked as a decorative painter and a postal worker. In 1967, he participated in a project related to the Organization for Black American Culture. This project was a community mural that would honor African American heroes and was named "The Wall of Respect". The Wall of Respect started a nationwide movement of "people's art". From there, Walker cofounded the Chicago Mural Group (now known as the Chicago Public Art Group) with John Pitman Weber and Eugene Eda, while continuing to paint murals in Chicago. Walker painted murals to make the community more aware of the racial strife going on in America at that time and to spur individuals to get more involved in solving racial problems.

Bio courtesy of www.wikipedia.org. Link to full bio: https://en.wikipedia.org/wiki/William_Walker_(muralist)

 

William Walker (1927-2011)

William Walker is a notable muralist in Chicago. He was one of the founders of the Organization for Black American Culture (OBAC) and one of the leaders in the project involving the Wall of Respect. He was also one of the critical founders of the mural movements in Chicago during the 1960s.

William Walker was born in Birmingham, Alabama in 1927. Although born in the South, he grew up in Chicago. After serving in World War II and in the Korean War, he studied fine arts at the Columbus Gallery of Art in Chicago (now Columbia College Chicago), and became the first African-American man to win the 47th annual group exhibition award.[1]

After graduating, he went to Memphis where he painted his first murals. A year later in 1955, Walker returned to Chicago and worked as a decorative painter and a postal worker. In 1967, he participated in a project related to the Organization for Black American Culture. This project was a community mural that would honor African American heroes and was named "The Wall of Respect". The Wall of Respect started a nationwide movement of "people's art". From there, Walker cofounded the Chicago Mural Group (now known as the Chicago Public Art Group) with John Pitman Weber and Eugene Eda, while continuing to paint murals in Chicago. Walker painted murals to make the community more aware of the racial strife going on in America at that time and to spur individuals to get more involved in solving racial problems.

Bio courtesy of www.wikipedia.org. Link to full bio: https://en.wikipedia.org/wiki/William_Walker_(muralist)

 

   Faces (Clowns)    Oil on board  24x35 inches  1955  Signed  Photo credit: John Wilson White Studio   

Faces (Clowns)

Oil on board

24x35 inches

1955

Signed

Photo credit: John Wilson White Studio

 

   Alley Cat Club    Oil on canvas  19 1/2x24  c. 1950  Signed and dated  Photo credit: John Wilson White Studio

Alley Cat Club

Oil on canvas

19 1/2x24

c. 1950

Signed and dated

Photo credit: John Wilson White Studio

   Tennessee Page Hall    Oil on board  21x23 1/2 inches  c. 1955  Signed and dated   Photo credit: John Wilson White Studio

Tennessee Page Hall

Oil on board

21x23 1/2 inches

c. 1955

Signed and dated 

Photo credit: John Wilson White Studio

   Luck of the Draw    Oil on board  23x21 1/2 inches  1955  Signed and dated  Photo credit: John Wilson White Studio

Luck of the Draw

Oil on board

23x21 1/2 inches

1955

Signed and dated

Photo credit: John Wilson White Studio

   Alley C    Oil on board  27x12 1/2 inches  1955  Photo credit: John Wilson White Studio

Alley C

Oil on board

27x12 1/2 inches

1955

Photo credit: John Wilson White Studio

   Faces (AKA Jazz Hands)    Oil on board  19 1/2x42 inches  `1955  Signed and dated  Photo credit: John Wilson White Studio

Faces (AKA Jazz Hands)

Oil on board

19 1/2x42 inches

`1955

Signed and dated

Photo credit: John Wilson White Studio

   The El    Oil on board  21x34 inches  1955  Signed  Photo credit: John Wilson White Studio

The El

Oil on board

21x34 inches

1955

Signed

Photo credit: John Wilson White Studio

   Three Deacons    Oil on canvas  27x12 1/2 inches  1955  Photo credit: John Wilson White Studio

Three Deacons

Oil on canvas

27x12 1/2 inches

1955

Photo credit: John Wilson White Studio

   Faces (Black and White)    Oil on board  15x11 inches  1955  Signed  Photo credit: John Wilson White Studio

Faces (Black and White)

Oil on board

15x11 inches

1955

Signed

Photo credit: John Wilson White Studio

   Faces (Profile)    Mixed media  11 1/2x9 inches  c. 1955  Signed and dated  Photo credit: John Wilson White Studio

Faces (Profile)

Mixed media

11 1/2x9 inches

c. 1955

Signed and dated

Photo credit: John Wilson White Studio

   Faces (Looking Left)    Oil on board  15x11 inches  1955  Signed and dated  Photo credit: John Wilson White Studio

Faces (Looking Left)

Oil on board

15x11 inches

1955

Signed and dated

Photo credit: John Wilson White Studio

walw_1955.013_ob.1.jpg
   Praying    Crayon on board  15x11 1/4 inches  1959  Signed and dated  Photo credit: John Wilson White Studio

Praying

Crayon on board

15x11 1/4 inches

1959

Signed and dated

Photo credit: John Wilson White Studio

   Three Faces    Mixed media oil, sand on board  20 1/2x23 3/4 inches  c. 1955  Signed  Photo credit: John Wilson White Studio

Three Faces

Mixed media oil, sand on board

20 1/2x23 3/4 inches

c. 1955

Signed

Photo credit: John Wilson White Studio

   Eating Watermelon    Crayon on artist board  10x25 inches  c. 1955  Signed  Photo Credit: John Wilson White Studio

Eating Watermelon

Crayon on artist board

10x25 inches

c. 1955

Signed

Photo Credit: John Wilson White Studio

 No info on piece

No info on piece

   Untitled (Parent and Child)    Oil on board  47x12 1/2 inches  c. 1955  Signed  Photo credit: John Wilson White Studio

Untitled (Parent and Child)

Oil on board

47x12 1/2 inches

c. 1955

Signed

Photo credit: John Wilson White Studio

 No info on piece

No info on piece

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